{"id":194,"date":"2022-12-28T14:12:56","date_gmt":"2022-12-28T14:12:56","guid":{"rendered":"https:\/\/www.irispearson.com\/?page_id=194"},"modified":"2025-11-11T21:04:16","modified_gmt":"2025-11-11T21:04:16","slug":"research","status":"publish","type":"page","link":"https:\/\/www.irispearson.com\/?page_id=194","title":{"rendered":"Research"},"content":{"rendered":"\n

Journal Articles<\/span><\/p>\n\n\n\n

Iris Pearson, ‘Close Reading as Choice Reading: Virginia Woolf’s The Waves<\/em>‘, Modernist Cultures<\/a><\/em>, 20.2-3 (2025).<\/p>\n\n\n\n

Iris Pearson & Joe Moshenska, eds. What is Creative Criticism? A Field Report on a Colloquium: Oxford, June 2024<\/em>, creativecritical.net<\/a> (2025).<\/p>\n\n\n\n

Iris Pearson, ‘Review of Ross Wilson, Critical Forms: Forms of Literary Criticism, 1750-2020<\/em>‘, Review of English Studies<\/em>, 76 (2025), 109-111.<\/p>\n\n\n\n

Iris Pearson, ‘The Orange Tree and Postcritique in Valeria Luiselli’s Los ingr\u00e1vidos<\/em>‘, Journal of Avant-Garde Studies<\/a><\/em>, 2 (2023), 94-106.<\/p>\n\n\n\n

Iris Pearson, ‘Moving Through Paris: The Discontinuous Forms of Julio Cort\u00e1zar’s Rayuela<\/em> and Luisa Futoransky’s De Pe a Pa<\/em>‘, Latin American Literary Review<\/a><\/em>, 48 (97) (2021).<\/p>\n\n\n\n

<\/p>\n\n\n\n

Conference Presentations<\/span><\/p>\n\n\n\n

‘Kanai Mieko and Mild Feeling, or Epiphany and Running Water’, Modernist Studies in Asia Conference, Ewha Women’s University, Seoul, June 2025.<\/p>\n\n\n\n

‘Middle Feelings’, University of Tokyo, April 2025.<\/p>\n\n\n\n

‘B. S. Johnson’s Ephemeral Typography’. British Association of Modernist Studies, Leeds, June 2024.<\/p>\n\n\n\n

‘Criticism in the Middle: Readerly Affect and Experimental Form’, Modern\/Contemporary Research Seminar, University of Oxford, May 2024.<\/p>\n\n\n\n

‘The Critic and Constant Excess: Virginia Woolf’s The Waves<\/em>‘. New Work in Modernist Studies 13, Liverpool, December 2023.<\/p>\n\n\n\n

‘Imagining at the End: Max Porter’s The Death of Francis Bacon<\/em>‘, A Symposium on Literatures of Ending, Contemporary Literary Cultures Research Group, University of Worcester, November 2023.<\/p>\n\n\n\n

‘The Short Story and Strange Tone’, Oxford Centre for Comparative Criticism & Translation, October 2023.<\/p>\n\n\n\n

‘Experimental Focalisation and Readerly Affect in the Novels of Angela Carter’, British Association for Contemporary Literature Studies, University of Birmingham, September 2023.<\/p>\n\n\n\n

‘It Could Go Like This \/ Muriel Spark’s Fantastic Hesitation’. Session: ‘Reading with Doubt’, Oxford English Graduate Conference, University of Oxford, June 2023.<\/p>\n\n\n\n

‘Muriel Spark and the Future Tense’. ‘DPhil Roundtable: Literature and the Future’, Modern\/Contemporary Research Seminar, University of Oxford, May 2023.<\/p>\n\n\n\n

‘Form and Readerly Affect: Muriel Spark’s Crime Fictions’. Session: ‘Anti-historicism’ at American Comparative Literature Association, Chicago, March 2023.<\/p>\n\n\n\n

‘Form and Repulsive Readerly Affect in Late Twentieth-Century Experimental Novels’. New Work in Modernist Studies 12, University of Loughborough, December 2022.<\/p>\n\n\n\n

‘Listening to Know in Anthony Burgess’s Experimental Novels’. Modern\/Contemporary Literature Graduate Forum, University of Oxford, November 2022.<\/p>\n\n\n\n

‘Don\u2019t Read B.S. Johnson: Experimental Spaces and Rebarbative Readerly Affect’. Experimental Writing in English, 1945-2000, Brussels, September 2022.<\/p>\n\n\n\n

‘Suspended Interiors (and Suspended History) in Second World War Novels’. Oxford English Graduate Conference, University of Oxford, June 2021.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Outreach Publications<\/span><\/p>\n\n\n\n

”Modern Love’ by George Meredith’<\/a>, Ten-Minute Book Club<\/em>, University of Oxford, October 2022.<\/p>\n","protected":false},"excerpt":{"rendered":"

Journal Articles Iris Pearson, ‘Close Reading as Choice Reading: Virginia Woolf’s The Waves‘, Modernist Cultures, 20.2-3 (2025). Iris Pearson & Joe Moshenska, eds. What is Creative Criticism? A Field Report on a Colloquium: Oxford, June 2024, creativecritical.net (2025). Iris Pearson, ‘Review of Ross Wilson, Critical Forms: Forms of Literary Criticism, 1750-2020‘, Review of English Studies, … Continue reading “Research”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.irispearson.com\/index.php?rest_route=\/wp\/v2\/pages\/194"}],"collection":[{"href":"https:\/\/www.irispearson.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.irispearson.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.irispearson.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.irispearson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=194"}],"version-history":[{"count":20,"href":"https:\/\/www.irispearson.com\/index.php?rest_route=\/wp\/v2\/pages\/194\/revisions"}],"predecessor-version":[{"id":313,"href":"https:\/\/www.irispearson.com\/index.php?rest_route=\/wp\/v2\/pages\/194\/revisions\/313"}],"wp:attachment":[{"href":"https:\/\/www.irispearson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=194"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}